Milano – Daniele Luppi & Parquet Courts

At the same time I bought this incredibly cheaply: Wild – Streets Of Laredo, I also picked up Milano by Daniele Luppi & Parquet Courts cheaply. It was on sale for £8 and I took a chance on it at that price. I did try and have a quick listen on Spotify but there was no data reception so I just got it anyway.

Line Of Best Fit – Review

Luppi draws his inspiration from another city that’s played an important part in his life; the achingly cool buzz of high-fashion 80s Milan. MILANO combines the yin and yang of slacker punks Parquet Courts and brash energy of Karen O. It seems an incompatible pairing, however Parquet’s slurring discordance and O’s frenetic purr make for an intriguing proposition.

O only appears on half of the album, and in her absence the Parquet-only tracks are wired with all the nervy DIY hallmarks that have made their own albums so thrilling. “Mount Napoleon” is off-kilter and downtuned with a laxity and jittery undertone that recalls Silver Jews or Pavement, while on opener “Soul and Cigarette”, Luppi intersperses keys that twinkle through the ramshackle, buzzsaw guitars like lights in glitzy department store windows.

The album really shines though when O steps up to the mic and accordingly, Parquet Courts spike up their guitars to complement her kittenish exuberance. Jagged riffs thrust, needle and stab on “Talisa” and “Flush”, while O’s vocals strut, prowl and drip with unapologetic sexuality. “Touch yourself!” she orders brattishly on “The Golden Ones”, later breathlessly asking “do you like it when I dance for you like this?” on “Pretty Prizes” amid ragged Magazine-esque riffs.

On paper MILANO should be a mess, but it’s a resounding triumph. Luppi has crafted a fast-paced and fashionable record which taps into the lifeblood of his beloved Milan; seductive, hedonistic and super stylish.

So in the spirit of supreme lazyness I agree with all of the above, certainly about Karen O who fits in really well on the tracks which she guests on.

I’ve listened to the album several times now and it’s a grower for certain, mostly because I’ve become used to Daniele Luppi and his voice now.