I like múm a lot but their records aren’t readily available new and the used market it expensive. All I have is one album and a 12″ EP. Still, they are both good. Before we go any further, and just in case you have never heard them, here is a track from this album:
Ok, I accept this is not for everybody. The video has 3.8k likes and 1.1k dislikes on youtube, which is a pretty bad ratio for a music video, but it is all rather left field and, frankly, who cares, it isn’t as bad as this:
Completely irrelevant comparison, you’re welcome.
So, Múm are Icelandic, it’s pronounced Moom in case you wondered, and were formed in 1997 by Gunnar Örn Tynes and Örvar Þóreyjarson Smárason, who were joined by twin sisters Gyða and Kristín Anna Valtýsdóttir. According to Kristín, the band’s name was not intended to mean anything. Gyða left the band to return to her studies after the release of Finally We Are No One. In early 2006, Kristín also left the band, although it was not officially announced until 23 November of that year. With only Tynes and Smárason remaining in the group, a large group of new musicians were brought on board: guitarist/vocalist/violinist Ólöf Arnalds, trumpet/keyboard player Eiríkur Orri Ólafsson, vocalist/cellist Hildur Guðnadóttir, percussionist Samuli Kosminen, and multi-instrumentalist/vocalist Mr. Silla. The new collective of musicians recorded their fourth album during 2006; This one, Go Go Smear the Poison Ivy which released on 24 September 2007. Yes, always up to date me, just 11 years since its release.
There is only one official video related to this album but a couple of people made their own, which are below for your listening and viewing pleasure.
One of múm’s principal attractions for me is their approach to orchestration. No instrument seems to be off the table, from a parping accordion, a soft piano, a razor sharp violin harmonic. These can all appear in the same track but despite the potential pitfall of unlistenable cacophony, there always seems to be room in the soundscape they are creating for what they include. It is not often that one can suggest that music ‘Sparkles’, but with múm is seems an appropriate description, particularly on this album as they take acoustic instruments and electronic and merge them seamlessly together as wood growing into metal and becoming indistinct from each other.
Inside the gatefold cover there is a little pouch in which a 7″ single has been slipped containing the tracks ‘Guilty Rocks’ and ‘Winter (What We Never Were After All)’ which are two tracks that ar eon the CD version, so I assume they didn’t want to stretch everything out over a double album and went for this method instead, it works, the 7″ feels like a bonus.
|LP-A2||A Little Bit Sometimes|
|LP-A3||They Made Frogs Smoke ‘Til They Exploded|
|LP-A4||Those Eyes Are Berries|
|LP-B4||Dancing Behind My Eyelids|
|LP-B5||School Song Misfortune|
|LP-B6||I Was Her Horse|
|7″-D||Winter (What We Never Were After All)|