The Eyes Of Laura Mars -Soundtrack

Sometimes, not always, but sometimes people just need a little bit of Disco in their lives, a need that can be satisfied by this soundtrack. Best known of course is the title track by Babs Streisand, but there’s a lot of really good tracks on it other than that. Before I go any further, just in case you’ve never seen the film, here’s a trailer.

So the plot kicks off  with Laura Mars (Played by Faye Dunaway) who is a glamorous fashion photographer specialising in stylised violence (based upon the work of Helmut Newton, who provided the photos used for the film.) In the middle of controversy over whether her photographs glorify violence and are demeaning to women, Laura begins seeing, in first person through the eyes of the killer, real-time visions of the murders of her friends and colleagues.

It was originally a vehicle for Babs but she didn’t appear in the film because she thought it too kinky, but did take on the Love Theme, which produced a modest hit, peaking at number 21

Side One
No. Title Writer(s) Artist Length
1. “Prisoner (Love Theme from Eyes of Laura Mars)” Karen Lawrence, John DeSautels Barbra Streisand 3:53
2. “Laura’s Nightmare” Artie Kane Artie Kane 2:06
3. “Burn” George Michalski, Nikki Oosterveen Michalski & Oosterveen 4:16
4. “Elaine” Artie Kane Artie Kane 1:25
5. “Laura & Neville (Instrumental)” Artie Kane Artie Kane 2:33
6. “Medley:
Native New Yorker
(Shake, Shake, Shake) Shake Your Booty
Prisoner (Disco Instrumental)”
Various:
Sandy Linzer & Denny Randell
Harry Wayne Casey & Richard Finch
Artie Kane
Various:
Odyssey
KC & The Sunshine Band
Artie Kane
4:33
Side Two
No. Title Writer(s) Artist Length
1. “Laura – Warehouse” Artie Kane Artie Kane 1:11
2. Let’s All Chant Michael Zager, Alvin Fields Michael Zager Band 4:05
3. “Laura & Neville (Dialogue & Vocal)” Artie Kane Artie Kane 2:33
4. “Lulu & Michelle” Artie Kane Artie Kane 3:06
5. “Love & Pity” Artie Kane Artie Kane 4:10
6. “Love Theme from Eyes of Laura Mars (Prisoner) – Reprise” Karen Lawrence, John DeSautels Barbra Streisand 3:56

Track A6 is totally Disco, although this Medley is joined together with sticky tape where the glue is old and it doesn’t quite fit anymore. That having been said, there was a point this evening where I followed instructions closely and there was some shaking of booty.

I saw the film years ago, on TV, and it is a bit crap to be honest, although the idea was pretty good as was a rather youthful Tommy Lee Jones. The soundtrack isn’t actually all that Disco, it’s a mix of incidental music, a few Disco, a torch song and some dialogue, but I still enjoyed listening to it and I do rather like the cover, it’s pretty cool.

r-3112486-1316741282-jpeg

The back cover not so much, but very of its time:

5398649074_23f8c1e059_b

And here is the whole thing should you want to have a listen:

Stranger Things – Vinyl

Stranger Things was an absolute smash hit for Netflix this year. The first season of the series, set in the 1980’s, follows the disappearance of a young boy and the monstrous chain of events it launches in the small town. I was captivated by this show, partially because it’s very much from my era, or very nearly, I’m more late 70’s early 80’s, but it’s near enough. I also really appreciated that it was only 8 episodes. So many series drag on for 20 or more episodes and it can just be too much to watch, and the need for that many cliffhangers at the end of each episode becomes rather tiresome. I’m struggling with the Walking Dead, still a couple of series behind, there’s just too much of it and it’s basically the same thing happening every episode. I have the first 13 or 14 volumes of the comic, which I was reading well before it appeared on TV, and exactly the same thing happened there, I stopped buying them as it is the same thing over and over again, for the most part at least, just presented differently. With Stranger Things, 8 episodes is just about perfect.

I also loved the music, for which the soundtracks of Tangerine Dream were highly influential, as was Angelo Badalamenti’s Twin Peaks score, among others. Kyle Dixon and Michael Stein—the soundtrack’s composers, as well as members of the Austin synth band S U R V I V E, had one of their tracks, ‘Dirge’, used on the original pitch of the series and so were in from the beginning. Here is the track they used, which, when I listen to it, I can see it slipping seamlessly into the Stranger Things score:

I pre-ordered Volume 1 of the score but it was a little delayed for some reason or other, eventually arriving last week, a few weeks late but that was OK. I have the red/blue vinyl version, which is rather nice:

kyle-dixon-michael-stein-stranger-things-vol-1-b

I’ve no idea how many of these were pressed, quite a few I suspect but I can’t seem to find any info on that, it’s called a ‘Deluxe Edition’ for some reason, possibly because the gate fold sleeve is 425g, which is pretty sturdy.

Tracklisting:

LP1
1. Stranger Things
2. Kids
3. Nancy and Barb
4. This Isn’t You
5. Lay-Z-Boy
6. Friendship
7. Eleven
8. A Kiss
9. Castle Byers
10. Hawkins
11. The Upside Down
12. After Sarah
13. One Blink for Yes
14. Photos In the Woods

LP2
1. Fresh Blood
2. Lamps
3. Hallucinations
4. Hanging Lights
5. Biking to School
6. Are You Sure?
7. Agents
8. Papa
9. Cops Are Good at Finding
10. No Weapons
11. Walking Through the Upside Down
12. She’ll Kill You
13. Run Away
14. No Autopsy
15. Dispatch
16. Joyce and Lonnie Fighting
17. Lights Out
18. Hazmat Suits
19. Theoretically
20. You Can Talk to Me
21. What Else Is There to Do?
22. Hawkins Lab

The best known piece from this, is of course, from the opening credits:

I’ve listened to the whole thing several times and love it. Take Tangerine Dream, Vangelis, bit of Kraftwerk, Angelo Badalamenti, some John Carpenter, maybe a dash of Nine Inch Nails and mix them all up and this is what you get.

st_ost_v11

I also pre-ordered Volume Two, from the Invada Records site and this was listed as a ‘Limited Edition’ and mail order only, though, again, limited to how many I don’t know. This arrived this week and I’ve had a listen. It is different music to Volume One but very much in the same vein. That there are two volumes for this episode run does show how closely involved Dixon & Stein were in the creation of the series as music is often repeated, and it is at times of course, but a new piece would be created, perhaps with a sublte difference, for different scenes in the show.

I’m a sucker for coloured vinyl of course and this one is really rather nice:

stlp2_rwbsplatter_1024x1024

Tracklisting

1.Hopper Sneaks In
2.I Know What I Saw
3.Rolling Out The Pool
4.Over
5.Gearing Up
6.Flickering
7.First Kiss
8.Crying
9.Walking Down The Tracks
10.Where’s Barb?
11.Speak Of The Devil
12.Danger Danger
13.Tribulations
14.Flashback
15.Kids Two
16.Talking To Australia
17.Night Of The Seventh
18.See Any Rain?
19.Coffee & Contemplation
20.Inside The Black Room
21.Starts To Rain
22.Eleven Is Gone
23.Time For A 187
24.Something In The House
25.Still Pretty
26.Abilities
27.Tendril
28.They Found Us
29.Bad Men
30.Spiked Bat
31.Making Contact
32.What Do You Know
33.It’s Not My Boy
34.Something In The Wall
35.Let’s Go
36.Leap Of Faith
37.In Pursuit
38.Breaking And Entering
39.Stranger Things (Extended)

If you have yet to see the show, and many people haven’t as they don’t subscribe to Netflix, then the track names mean very little but both Volumes are a great listen regardless of whether you’ve seen the show or not. The one gripe I do have, and it is perhaps not entirely fair of me, is the use of the same image on the front of both volumes, but also that Netflix logo, it irks me that it’s there though I can’t quite pinpoint why it irks me, it just does.

I’ll finish with a trailer for Season 1. This was just a fabulous series and I highly recommend it to anybody who hasn’t seen it.

 

 

Moon – Clint Mansell

cs521457-01a-bigA little while ago I picked up the soundtrack to the film ‘Black Swan’ by Clint Mansell and recently I picked up another of his, from the movie ‘Moon’. I watched the film  a while back but had no idea that Mansell had done the music, so the plan now is to watch the film again and pay a little more attention to it in context.

If you haven’t seen the film then I highly recommend it as it has a lot going for it. Firstly, it’s a British Sci-fi film, which you don’t see many of, it’s considered to be scientifically possible rather than far fetched flying through space faster than light speed and shooting lasers at each other and suchlike. It’s also a good story and has a great performance from Sam Rockwell who goes through a bit of a personal crisis towards the end of his three year solitary shift mining Helium-3 on the far side of the moon.

This was a modestly budgeted film that grossed under $10 million worldwide, but that same year The Pink Panther 2 grossed over $75 Million, which actually proves nothing other than how much a film grosses is not a measure of it’s quality. The Pink Panther 2 was bloody abysmal.

Just in case you didn’t know, The script for Moon was written by Duncan Jones, who is the son of David Bowie. Here is a trailer for the film so that you can get an idea of what it is all about and there’s a bit of the music by Mansell in it as well:

The soundtrack is subtle, repetitively simple even, with piano appearing throughout and with a repeating theme, sometimes in glimpses and sometimes not but with each piece evoking what has past and what is to come. I like Mansell’s soundtrack work, well, the tow I’ve heard so far anyway. ‘Black Swan’ is a lot more intricate, which it would be, being based on ‘Swan Lake’, but there’s a lovely ambience around the Moon soundtrack and it is a good listen regardless of being a soundtrack.

Tracklist

1 Welcome To Lunar Industries 7:12
2 Two Weeks & Counting… 2:00
3 I’m Sam Bell 3:45
4 I’m Sam Bell, Too… 5:05
5 Memories (Someone We’ll Never Know) 4:53
6 Are You Receiving? 3:18
7 Can’t Get There From Here 3:17
8 “We’re Not Programs, Gerty, We’re People” 5:10
9 The Nursery 3:46
10 Sacrifice 3:03
11 We’re Going Home 3:42
12 Welcome To Lunar Industries (Three Year Stretch…) 10:04

Here is the entire soundtrack: